In the mid-1980s my parents kindly bought me a Casio CZ-101. It was a great introduction to synthesisers and my way back into keyboard instruments. I had been introduced to synthesiser music thanks to some of school friends lending me albums by Jean Michel Jarre (Oxygene and Equinoxe), Vangelis (L'Opera Sauvage, Apocalypse Des Animaux, Heaven and Hell) and Tomita (Pictures at An Exhibition, The Planet Suite).
At the time I'd been learning the trumpet, but my mum was well-known in the locality, for playing the piano and organ in primary schools and working-men's clubs, alongside teaching piano the music theory, but I was never able to pick it up - my sister did much better than me, getting up to grade 3 or 4.
The CZ series was largely dismissed since the 1990s, primarily because CASIO wasn't associated with professional instruments; the Yamaha DX series were more capable, but also because new synthesis techniques superseded this early digital techniques. However, in recent years, as artists have increasingly mined and revisited older technology, Phase Distortion and the CZ series has been re-evaluated, alongside the emergence of DAWless production.
Over time I acquired a few more instruments: a Yamaha SY-22; an early Sample and (FM) Synthesis, but capable of creating interesting dynamic soundscapes thanks to its vector synthesis feature. For a while I had a Roland MT-32, which could handle up to 8 parts + a drum kit channel.
Around the same time I bought a copy of Cubase lite (bundled, I believe with a MIDI interface) for my Macintosh Performa 400 and with it sequenced quite a number of pieces and songs. Cubase Lite was well within my needs and even when running on a Mac Plus, it could handle everything I threw at it.
Stupidly I sold it because I didn't think that its sounds were particularly interesting and I never took the opportunity to learn how to program it properly. Finally, I bought a super-ugly Yamaha TQ-5 (for £35 on Ebay); which is a superb 4-operator FM synth / sound module with a built-in sequencer (horrible UI) and an effects unit. It's badly underrated as it's better than a DX-11.
Over the past two decades though I've used Garage Band for my music creation - again, because although it's an entry level program, it's still within my needs What I did miss was being able to connect Garage Band to my earlier synths.
However, now that DAWless music creation has become more fashionable, I thought I'd have a go at trying to re-unite my current keyboards and sound modules with a cheap or free, but simple to use DAWless MIDI application.
And it turns out that's quite a rabbit-hole. It's not that nothing is available. For example, there's a Linux program called RoseGarden. Now, typically, the first question I ask about any application, whether it's for Linux, macOS or whatever, is what are the requirements in terms of RAM and CPU? RoseGarden says it's "demanding". What does that mean? A 1GHz Athlon? A 2.5GHz Core i7? A Raspberry PI 3? Muse looks good, but there's no description at all about the hardware requirements. And at this point I'm already turned off. Why make the effort if my hardware might not run it? Also, as software developers have shifted from producing sequencers to full Digital Audio Workstations, they've blurred the descriptions of what their software does. For example, obviously Garageband does handle MIDI input, but it doesn't handle MIDI output, so I've found it progressively harder to figure out whether a given application would support what I want, or even how to ask the right kind of search question that would provide an answer.
Also, it's such a pain even just finding out about trivial things. Consider part of the Support FAQ (which of course, doesn't even tell you what CPU performance you need):
“MusE requires a high performance timer to be able to keep a stable beat. It is recommended that your operating system be setup to allow at least a 500hz timer, MusE will warn you if this is not available.”
An 8MHz Mac Plus could do this! An Atari ST could do this! An Amiga could do this! A 1980s PC running MS-DOS Could. Do. This!
So, in the end, I figured that if a mid-80s 16-bit era computer (yes, the 68000 is 32-bit) and emulators for these computers are available that run much faster than the original hardware, then surely it should be possible to get an emulation of a Mac to run my original Cubase Lite and communicate with a MIDI interface.
Picking An Emulator?
Mini VMac
“Hi, i've implemented a midi bridge for Mini vMac which exposes emulator modem and printer midi ports to the host OS. so far no stuck notes, and sysex seems to work both ways. there's systematic jitter though which needs to be resolved.”
Basilisk II
PCE/MacPlus Emulator
#define MAC_CPU_SYNC 250 |
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sudo apt-get update --allow-releaseinfo-change
sudo apt updatesudo apt-get updatesudo apt-get install libx11-dev libx11-doc libxau-dev libxcb1-dev libxdmcp-dev x11proto-core-dev x11proto-input-dev x11proto-kb-dev xorg-sgml-doctools xtrans-devsudo apt-get install libsdl1.2-dev libsdl1.2debian
Terminals built: null x11Terminals not built: sdl
./configure -with-x --with-sdl=1 --enable-char-ppp --enable-char-tcp --enable-sound-oss --enable-char-slip --enable-char-pty --enable-char-posix --enable-char-termioscp /usr/local/etc/pce/pce-mac-plus.cfg .